Before I go on and on about carrots and the myriad ways in which I enjoy them or don't enjoy them, let me just say that the 2004 Malaysian film Visits: Hungry Ghost Anthology pretty much proves my theory on the portmanteau flick- to me, this means that I'm right about everything all the time, and therefore no one can contradict my views, whether they be regarding carrots or Battlestar Galactica (best show ever) or what you should do with your hair (I say shave it all off).
Sorry, BSG just started up again and I've got the fever
The 15th night of the 7th month marks, essentially, Chinese Halloween. During this time, "hungry ghosts" are released and spirits walk the earth to mingle with the living. Hungry for what, you ask? No, they're not here for your Cool Ranch Doritos, my friends...they're hungry for your face! At least, that's the way the film played out in my imagination. In reality, the hungry ghosts of Visits are just...sort of...here, despite the fact that we're promised some truly scary stories in the framing narrative, which finds a radio DJ recounting stories to his listeners.
1413

WAITING FOR THEM

Huh? Yeah, clammy feet peeing (typo but it stays) out from the back of a closet are about as spooktacular as Waiting For Them gets. It's much more a character study/drama with a few bizarre sequences (a moment that finds the two women brushing their teeth together was a highlight) (yes, brushing teeth was a highlight) than a straight-up horror story, ghost or otherwise. It's odd, then, that I enjoyed this segment- it's so quiet and still that you may wonder if there are actually actors or if the director has simply staged set pieces with mannequins. I liked getting my Murder She Wrote on, though, as I tried to figure out Anne's story. Your mileage, of course, may vary.
NODDING SCOOP

ANYBODY HOME?

Anybody Home? was my favorite story of the bunch, and it's certainly the standout of Visits. The segment is almost completely wordless as we view life through the various cameras of the apartment building- we see the girl coming home drunk at 2 am, stumbling to the elevators; we watch every boring facet of her life, from doing the dishes to going to the bathroom- we see what's arousing the security guard. We watch him in her apartment, invading her space and reacting violently to something he finds in her freezer. This moment marks a shift in the story's narrative- the stalker becomes the victim- and unfortunately it's also a change in narrative devices. The security camera conceit is dropped and the rest of Anybody Home? plays out in standard style, which is a complete detriment to the piece. Still, it's an unusual spin on fairly standard Asian Horror fare.
That seems to be the biggest problem with Visits: Hungry Ghost Anthology- each segment treads overly familiar waters, waters that have been explored to much greater effect in other films. Each story here fell victim to the anthology format, in that they're essentially short films. Horror shorts need to pack a wallop, and if anything, Asian ghost stories are slow mood pieces. It's difficult to build ample tension and create an unsettling atmosphere in such a short amount of time. While none of these segments truly pays off in a completely satisfying way, there is some interesting material to be found for enthusiasts of the genre.
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